Next from my cold dreary X-Mas painting sessions is this little experiment in using a limited palette. I've been kind of low from a string of rotten attempts, that I've been in a "can't get any worse so I may as well try something new" phase. Case in point was my approach to painting this little piece (and another I'll post later). I started with a carefully drawn pencil sketch, partly because it's harder to fake perspective and proportions in architecture and cars and boats, but also the drawing helped me resolve compositional and detail issues. Next I did a more thorough tonal block-in, which I found really helped me work out my values on this pretty low key scene. Also the gray lighting conditions really lent itself to playing with a limited palette, something I've been meaning to get back to for a while. And lastly, I used a smaller brush to finish up the detail work! All stuff I rarely do and I also had the consistent overcast conditions to thank for letting me relax and take my time and think, rather than throw down paint in a frenzy against changing light. Richard Schmidt in "Alla Prima" says that this is why he likes to paint in these conditions.
Chip said he hadn't formally named the boat, but if he had, he would have called her "Hot Tub". He put a hot rod Cobra V-8 engine in it hence "hot" and the tub part, well... Here's some progress shots that I thought to take AFTER I had covered up the initial drawing *sigh*