Finally took some pics of the oil sketches I did up in Denali, and the reasons they look muddy are 1) my crappy photography, 2) my muddy painting, and 3) it really looked like that due to mostly overcast conditions. Despite the overcast, there were times when the heavens opened up and the most amazing fall colors just exploded in front of you. Painting up there was definitely challenging, and I'm not just making excuses for these paintings, I actually enjoyed the different challenges. That's what makes you better, right? Well the weather was obviously the primary one, as I said, it was mostly heavy overcast and a few days of rain too. When we found a scene we liked, with dramatic lighting contrasts, it was more than likely to change in a heart beat. Those clouds move fast. Wind was another factor, it's what drove those fast moving clouds and was at times a little too stiff to set up an easel and canvas that are only too efficient at mimicking a sail or a kite in flight. Wind and weather of course are not exclusive to Alaska, but they can be just a little more extreme up there. What was a little more frustrating was limited access to roam. It sounds funny, because Denali N.P. is probably the most easily accessible of all wilderness areas in all the U.S. Parks system, but our timing was such that we landed there in Moose rutting season, so the usual "roam anywhere you want to" policy was limited to "roadside only". And with only 15 miles of accessible road (not counting the $30 shuttle), and less than ideal weather, options quickly grew slim. I'm still learning anyway, so any bit of mileage on canvas is good for me. Quickly changing conditions, have been teaching me to quickly lay down my ideas, and I can feel that I'm getting a little better lately. On this trip, I had one composition laid in (in line work) that had to be abandoned due to weather, one total scrape down because it was too ugly, but the rest were done or at least close enough to finished that when the weather turned for the worse, I was able finish the few remaining bits later. It's the mantra for the teachers I've had and have read, to lay in your broad values early. So when I do that, and the scene changes in front of me, and I'm able to finish a sketch because I've got the structure down, it's a real "aaaaa, so that's why" moment. Unfortunately though, that won't help a crap composition, or poor drawing, but at least you can see early enough before you invest too much time and paint so you can still scrape it down!
As Pablo mentioned in the comments for the last post, there's a great
PBS series on Plein Aire painting featuring
Matt Smith,
Kenn Backhaus, and
Jean LeGassick as they paint in Denali and other spots in Alaska. This series was the direct inspiration for this trip, as I think Frank had heard of their trip before the show came out, and also heard stories from
Ralph Oberg who apparently has made several trips to Denali. This series is a must see, not only for following these remarkable artists and hearing their musings on painting, but also to hear of the history of painting in Alaska. I had never heard of the great
Sydney Laurence, or Belmore and George Brown, and the series shows some of their amazing inspirational work. These guys mastered plein aire in ALASKA! On GLACIERS! Man, I feel so wimpy : ) Who could turn down this call of the wild?
Along the Nenana river, just outside the Park. 4.5x8 O/P
Our first day in Alaska, and we were amazed that the rain held off just long enough. I had been checking the weather forecasts before leaving Ca. and all I saw was rain, rain, and more rain. The truth was though, that it was more like typical Colorado weather, where the weather moved in fast but could also leave just as quickly.
I think this was Riley Creek, which feeds into the Nenana. 8x10 O/P
Along the park road looking south. 6x8 O/P
We were filmed by a Japanese film crew here for a story on the activities in Denali! If anyone gets Asahi TV, look for two scraggily painters in Denali!
Some of the Alaska Range behind the Thorofare River (dry)near the Eilson Center. 8x10 O/P
A long bus ride (4hrs each way) to get this sketch. We were again photographed by several tourists while we painted, including full video by a very nice German guy. I guess people just got tired of taking pics of the 'other' wildlife in the park ; )
Looking south down the Savage River (great name!) 6x8 O/P
This was at the last mile on the road (mile 15) that you were allowed to drive a private vehicle on. Had most of the painting done, when a giant squall came rolling in forcing us to beat a hasty retreat to the truck!
Looking S/W towards Basin Mountain (?) behind a rocky outcrop on Mc Gee creek. 8x10 O/P
A couple scribbles in my mini watercolor moleskiene from a morning trip to Bodie. I had camped just south of Bridgeport so I could get to Bodie first thing in the morning. I woke up to a gorgeous sunrise and chilly 20 degree temps. I could have spent all day there roaming around, but it was so damn cold, and I got really hungry... : )
Along the Nenana river, just outside the Park. 4.5x8 O/P
I think this was Riley Creek, which feeds into the Nenana. 8x10 O/P
Along the park road looking south. 6x8 O/P
Some of the Alaska Range behind the Thorofare River (dry)near the Eilson Center. 8x10 O/P
Looking south down the Savage River (great name!) 6x8 O/P
Above Lake Chabot 6x8 O/P
China Camp 5x7 O/P
Fishing Boat @ China Camp 5x7 O/P
Schnitzer Steel @ the Port of Oakland 5x7 O/P
Steep way down from the Ivan Dickson trail at Briones Regional Park
Grizzly Peak @ Claremont O/P 6x8
Woodshop on San Pablo O/P 6x8
Missouri Lounge O/P 8x10
Point Molate generator building O/P 6x8
Aquatic Park, Berkeley O/P 5x7
The road out of China Camp. Oil on panel 6x8
The view looking south at Pirates Cove near Muir Beach. Oil on panel 8x8
Oil on panel 8x10
Oil on panel 6x8
Oil on panel 6x8
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